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The Edit In-Place feature can be used on multiple tracks simultaneously, and definitely comes in handy when you want to make a quick edit on a note without breaking the flow of using the Project window. The ability to line other Events up against certain notes is also very useful, since it's possible for all Events to now be displayed against one timeline — MIDI, Audio, Automation, Markers, and so on — except, sadly, for Tempo and Time Signature Events.
When Edit In-Place is active on a track, the notes take priority over the Part that contains them, meaning that if you drag a selection box around a track you're editing, along with Parts on other tracks, it's the notes that will be selected on the track with Edit In-Place active, rather than the Part. Similarly, although you can resize Parts while using Edit In-Place mode, you won't be able to create new or move existing Parts, which is a shame. For future Cubase versions, it might be nice to be able to still work with Parts while Edit In-Place mode is active, especially since you can still see them in the lower area of the Track Lane.
To help improve performance with the latest systems, SX 3 includes a number of specific optimisations, including better support for Intel's Prescott generation of Pentium 4s which presumably means SSE3 support , and IBM's G5 processor used by Apple. The forthcoming Mac OS Although I do have a dual-Opteron system on which I could have installed Cubase SX 3, there's something of a shortage of suitable bit drivers for audio cards, with M Audio being the only manufacturer I know of to date who have released at least beta bit drivers for AMD users.
Unfortunately, I wasn't able to get my hands on a suitable card to make any useful comments about running Cubase SX on a bit operating system, so I'll follow this up in a subsequent SOS article when I can make some worthwhile comparisons. However, Steinberg's suggested requirements for a smoother ride are to have a 2. The performance of Cubase SX 3 is generally good, although large Projects can still take slightly longer to load than you might like, and once you start to work with Projects containing several hundred tracks, you'll notice it can take tens of seconds to add VST Instruments and effects plug-ins to the Project, which is apparently due to calculations required for Cubase 's plug-in delay compensation.
However, handling of large Projects, loading times, accessing the copy-protection device and delay compensation calculation has improved since SX 2, so at least Steinberg are going in the right direction.
The Synchronisation Setup window has been redesigned in SX 3 to make it easier to understand the settings and how they interact with each other. The Synchronisation Setup window has been completely redesigned in SX 3 to improve clarity and demonstrate the logical flow of the various settings and how they affect other settings in the same window.
It's useful to disable this for features such as Play Order discussed in the main text or Cycle Mode, so you can try out different structural ideas while keeping a slaved machine playing back linearly without staying locked to the absolute SMPTE time in the Cubase Project.
However, one curious thing I noticed is that even when this new option is enabled, once playback has commenced, locating a new playback spot in the Ruler has no effect on the slaved machine, so it keeps playing back as if nothing had changed. You have to stop and restart the playback so that a slaved machine can relock.
In addition to now appearing in the Project window, the Key Editor itself also features some useful improvements in SX 3. Perhaps the most important is that you can now see controller data in the Controller Lanes for Parts other than the active Part when you have multiple Parts displayed in the Key Editor at the same time.
This was particularly annoying in version 2 and it's great to see this has been addressed in the new release. One other nice thing about this new behaviour is that when you create controller data over a region from the active Part into a different Part, the controller data is created in the appropriate Part, rather than only in the active Part as before.
The Controller Lane now features an incoming data indicator that displays the current value of the data on a given Controller Lane as it comes into Cubase, just like the similar feature in Cubase VST.
So if you're editing volume in a Controller Lane, the incoming value of any volume data is displayed to the right of the Controller Lane, and if you're editing velocity, the current velocity of any notes you play on your MIDI controller will be displayed.
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