free nelson mandoomjazz the organ grinder we are going to show you some tricks this week that will have you making great patterns in no time!">
Dubstep SerumPresets. Essentials WA. MiDi YnK. July 14, July 14, Day 8: Normal Filters Load your preset and turn the filter for the carrier oscillator. Even if you are familiar with filters such as Lowpass or Highpass, it's worth taking the time to test them all. It is ironic how often we overlook a very useful solutions due to not devoting enough time to "trivial" matters.
Gradually increase the resonance to the point when two peaks in the filter are clearly revealed. This is the time to experiment and study how the movement of created peaks in the case of peak filters and hollows Notch filters affects processed sound.
Spend an entire day discovering new modulation settings with the multi filters. Be creative. Try to modulate the filters using both bipolar and unipolar modes. The Peak part of the filter can be used to extract even more of a formant sound in your patch. Day Flange Filters Experiment with the Flanges filter group. They are complex and include elements from both previously learned types of filters.
After previous experiences you should quickly find yourself in their function. You will quickly realize that often they can degrade the sound, creating an inharmonic, undesirable sound. The most important thing you should focus on is finding "sweet spots" - points when the filter is perfectly integrated harmonically with the timbre of the sound.
To move the knob more precisely, hold the Shift key while you scroll through the filter cutoff. Find the moment when the filter resonates harmonically with the sound of oscillator. For the best results, turn this on when you begin working with the filter.
In this section you will discover true gems. Filter KeyTrack is one again highly recommended for the use of these filters. Keep in mind that these specialty filters can be very moody. Using minimal modulation is the key to success with these powerful filters. Once you have mastered them, you will realize how many iconic sounds used in popular songs are built on the uniqueness of these filters.
If you are familiar with Massive, you know how powerful it is. Day Using 2 Filters After all these tedious exercises using only one filter, you probably could predict the power of using TWO filters! Luckily, Serum provides a second filter inside the FX section. Today I want you to focus on using the FX filter to further process and enhance your sound. You can use the FX filter to bring out more of a vocal formant sound, or even add a entire new element to your patch!
For example, if you used a Multi filter as the main filter, try a Flange or Misc filter for the FX filter. I love to combine different filters for a super unique result. Day Experimentation It's time to be creative! After another week of learning about new possibilities you should give yourself time to have fun with your newly acquired skills.
I hope that you kept a consistent schedule throughout these first two weeks! Please note that my goal is not to give you a ready-made recipes for sounds. Trust me, discovering new advanced techniques is the most rewarding part of learning sound design. My goal with this guide is to teach you how to discover new techniques, but you will have to spend countless hours working by yourself to truly experience the power of Serum.
Try this technique using slightly detuned saw waves with high unison. More often than not, they are more than just a single decaying sounds. The enabling factor for creating such sophisticated sound structures is LFOs. Precise editing capabilities and several function modes makes it a highly flexible controller for your sounds.
Its use may initially seem obvious, but the LFO hides some interesting capabilities which are worth your attention. First off, it is worth mentioning that the LFO can operate in several modes. In combination with BPM sync it can act as a very good performer for complex modulation patterns. Initially, designing complex LFO shapes may seem chaotic, but we are going to show you some tricks this week that will have you making great patterns in no time! This allows you to design a much more complex shapes than standard Attack, Hold, Decay, Sustain and Release envelope controls.
Basically, it is possible to loop a segment of the LFO. This feature turns an envelope into an even more powerful performer. Rise determines amount of time taken for the LFO shape to influence over the signal. Delay represents the time before LFO starts. Smooth simply softens the LFO shape and makes it smoother. These parameters are often overlooked but can be a great thing to experiment with after you set up your modulations!
Now that we have gone over the basic, we can learn what makes the LFOs an amazing tool for creating spectacular rhythms, arpeggios and patterns. I know this seems complicated, but it will make sense soon This setup of three different LFOs already gives you quite complicated modulation, but when you think about the fact that Serum has 8 LFOs which can affect virtually every Serum parameter and each other, then you will realize that the possibilities are endless!
Do not forget to save all of them for future use. This will speed up your workflow in Serum tremendously! You must eventually learn them like the back of your hand.
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